By Molly Morrow, HR & Accounting Associate
Famous for the skull, the bloodshed and those six little words “to be or not to be,” Shakespeare’s Hamlet has been revamped and re-imagined by countless artists over the centuries in a hundred different mediums, including dance.
Ballet Austin’s production is a gorgeous modern interpretation that uses the body to soliloquize and prefers the sound of water to the sound of words. We thought we’d give you a little background on the characters of Hamlet to help you translate Shakespeare into ballet this Labor Day weekend.
The Ghost played by Stephen Mills and Hamlet played by Paul Michael Bloodgood (Photo credit Tony Spielberg)
The Ghost sets the story in motion. As soon as the Ghost is alone with Hamlet, he drops a pretty heavy bomb on our leading man: he was murdered by his own brother, Claudius, who is now married to Hamlet’s mother, Gertrude. Logically, the Ghost charges Hamlet with avenging his death.
Fun fact: It is frequently written that Shakespeare himself played the Ghost in the Globe’s productions of the play. Stephen Mills carries on that tradition and will play the Ghost in Ballet Austin’s production.
The poster child for Prozac in the Elizabethan age, the Prince is also a comedian: playful, clever and full of wit. In the text, Hamlet’s first line even contains a pun – “A little more than kin, and less than kind.” Less than kind is right: Hamlet proves Claudius’ guilt by reenacting the murder with a troupe of traveling actors, accidentally kills Ophelia’s father (maybe check behind the curtain next time,) eventually returns home to confess his undying love for the now-conveniently-dead Ophelia and murders Claudius.
In Ballet Austin’s production, Hamlet’s conflicting desires and descent into madness are expressed through three alternate Hamlets that appear to him as visions. Hamlet will be played by company dancers Frank Shott and Paul Michael Bloodgood, and Hamlet II-IV will be played by James Fuller, Oliver Greene-Cramer and Orlando Canova.
Both Hamlet and Ophelia casts in rehearsals. (Photo Credit Anne Marie Bloodgood)
Claudius is a man of pure and unspeakable evil. He murders Hamlet’s father, marries Hamlet’s mother, and then, like any good sociopath, convinces everyone that Hamlet himself is to blame for all the dying and suffering. Lucky for us, Shakespeare’s sense of justice and blood-lust is dead on, and Claudius ultimately gets what’s coming to him. Claudius is played by Ballet Austin company dancer Edward Carr.
Gerturde and Hamlet danced by Aara Krumpe and Paul Michael Bloodgood. (Photo credit Tony Spielberg)
The woman who brought Hamlet into this world is of course complex, heartbreaking and infuriating. Once married to Hamlet’s noble father, she chooses with inexplicable and breathtaking speed to marry her dead husband’s brother, who is also her dead husband’s murderer. Her failed attempt to explain herself and her actions to Hamlet inadvertently leads to Polonius’s murder. Gertrude dies, as does most everyone in this play, from being poisoned. She is played in this production by Aara Krumpe and Rebecca Johnson.
Ophelia is a doomed woman if ever there was one. In love with a man who is existentially preoccupied at best, and suicidal at worst, she is driven mad with grief from the news of her father’s death and drowns herself. Ophelia’s drowning is a scene of surprising beauty in Ballet Austin’s production, as Ophelia dances in a track of real water on stage. This fall she is played by Ashley Lynn Sherman and Jaime Lynn Witts.
Brian Heil as Polonius and Frank Shott as Hamlet during Hamlet rehearsals. (Photo credit Anne Marie Bloodgood)
Polonius is the pompous, long-winded armchair poet of this tragedy (there’s at least one in every Shakespeare play). Ironically, for all his advice on being true to one’s self and having a method to one’s madness, Polonius is a coward: he hides behind a curtain when Hamlet confronts his mother Gertrude about her marriage to Claudius, thus sealing his own fate. Polonius is played by Ballet Austin II dancer Brian Heil.
Fencing rehearsal (Photo by Anne Marie Bloodgood)
Laertes is vengeance personified. His whole reason for being is to rain on Hamlet’s parade, just because Hamlet may or may not have killed his sister and his dad. Laertes also happens to be quite handy with a sword. Claudius poisons the sword, of course, and then – just for good measure – poisons a goblet of wine as a kind of Shakespearean Plan B, because you can never have enough poison. Ballet Austin brings the magnificent swordfight to life with a fencing match that dances across the stage, an unusual and distinctly inspired element of this ballet. Laertes is played by Christopher Swaim and Jordan Moser.
Purchase tickets today to see Stephen Mills’ modern interpretation of Hamlet, guaranteed to leave you thankful for your seemingly undramatic family drama.