By Oliver Greene-Cramer, Company Dancer
Let me start by saying Happy New Year! With the first month of 2016 drawing to a close, we are putting together the final touches on Director’s Choice.
We are about three weeks out from the performance and have just finished learning all of the choreography for the final two ballets—there are four total dance works being performed during Director’s Choice. With this blog post, however, I’ll be looking back at the process and choreography of Pontus Lidberg’s Stream. Pontus first came to set his work on us in October, just before Ballet Austin’s tour to West Palm Beach, and will return to Austin two weeks before Director’s Choice.
An internationally acclaimed choreographer and filmmaker, Pontus is originally from Sweden but is currently based in New York City. Given his body of work with companies such as the Swedish Royal Ballet and Royal Danish Ballet, we were extremely excited to learn that we would be working with him.
Stream was originally choreographed on Oregon Ballet Theatre in 2013 so the process was one of resetting existing movement on our company dancers. The ballet is set to an original score by composer Ryan Francis. With gorgeous swells and ethereal melodies the music helps to guide the pulses within the movement.
Though Stream had already been choreographed, Pontus was interested in altering and modifying certain aspects so that we, as dancers, felt more natural in the movement. Therefore, instead of having us mimic a video, he took time to encourage individuality in fulfilling the steps.
From the first day in the studio Pontus’ aesthetic and intention was clear. Though very intricate in terms of partnering and spatial patterns, the flowing movement demands an organic and effortless mindset. Much of the choreography is connected by off balance steps or even an intentional fall. While the piece is full of floor work and complex partnering, Pontus’ desire is that everything flows naturally while working in the context of the movement vocabulary. Nothing looks forced or random; everything seamlessly connects to the next step. Though his choreography is firmly rooted in classical line, Pontus wants more than just technical cleanliness in a dancer. The choreography demands an expressiveness from the dancers that requires precision without severity.
Next week Pontus returns to continue coaching Stream in the weeks leading up to the Valentine’s Day Weekend performances. As with all of the other pieces in Director’s Choice, we look forward to sharing Pontus’ beautiful work with Austin.