For our third dancer preview, we asked Orlando Julius Canova to discuss what it’s like to perform in an all-male piece.
The rumor the day Bradley Shelver arrived to cast the dancers was that Bradley was going to do a ballet only using men. Since the inception of New American Talent/Dance, no choreographer has chosen to only use men. The rumors were finally put to rest when he excused all the ladies and auditioned the ten men of Ballet Austin. In the audition that ensued we were asked to yell, tumble, and push our bodies to their physical limit. I knew that when Bradley returned to choreograph on his cast of men, it would mean one thing… PAIN.
The first day Bradley returned to choreograph, he began like a racehorse out of the starting gate. His stride was swift, and his steps were confident. From day one, Bradley was incredibly organized and sure of what he wanted. Some choreographers begin to piece work together after getting to know their dancers, but Bradley had no time for that – his brain was bursting at the seams with the ballet that danced in his mind. Bradley began to set his work immediately, and within the first day, four minutes and twenty two seconds of the ballet were choreographed.
Bradley’s entire residency continued in this pace. Bradley had a schedule and no matter how grueling and difficult, he stuck to it. Every day, I went home battered and bruised both mentally and physically. After a week of floor burn, swollen knees, and bruised thighs the ballet was finished. Let me reiterate: Bradley Shelver finished his ballet in only a WEEK.
Though done in only a week, with six sections, two solos, and even a pas de deux, the ballet does not lack for anything. I believe that the bonds of camaraderie between the men of Ballet Austin have grown stronger. The work that took place in AustinVentures StudioTheater was focused and dedicated, and because of this Bradley’s piece is filled with anxiety, tension, beauty, athleticism, grace, and strength. This piece makes me proud to be a man of Ballet Austin.
Today is the last day of Bradley Shelver’s residency. As I write this blog I am well aware of the crick in my neck, the scabs on my feet, and the pain in my muscles. I am also well aware of the satisfaction that all these ailments give me. Bradley pushed and coached the men of Ballet Austin to the brink of insanity. When we had nothing left to give, he wanted more. When the curtain goes up on Feb, the men of Ballet Austin will give the audience more than they ever knew they could.
Tickets on sale now for New American Talent/Dance.